I was born during the fall of 2017. Yes, it was one autumn morning that I was born again, when I opened my eyes and felt the irresistible need to go out and get my hands on an art book. 

I was a complete stranger to visual art until I was 23 years old. I didn’t even have any concept of it in my mind. I spent half my life in the mountains, living in a very small village. Since childhood, my access to the boundless nature around me has been a source of beauty and an inspiration to recognize the art of nature. 

My childhood curiosities paved the way for my interest and research in ancient Iranian culture. That’s how I developed the initial idea of a design inspired by nature, Persian art, and architecture. 

I started by designing mandalas, but from the beginning, I felt the need for something more. So I decided to explore geometric shapes in various styles that came to mind, such as woodworking. 

One of the best methods I found was using yarn to create geometric shapes, as in string art. But I was still searching for a different look, so I began crafting three-dimensional yarn shapes. Exploring this technique sparked my interest in 3D string art, 3D art, and especially 3D sacred geometry. My knowledge and techniques are self-taught, thanks to extensive experimentation and testing.

I purposely avoid studying styles similar to mine because I consider them too influential on my creativity. 

IIn the first stage, a concept with a particular philosophy forms in my mind. The purpose of this concept can be to protest against something or to remind me of something important. In the second stage, I try to translate this concept into a design by combining geometric shapes that inherently originate from nature, like the geometric image inside a flower. Then, I focus on turning this two-dimensional shape into a three-dimensional volume through mathematics and geometric calculations. I do this without the use of a computer. 

The precision of the designs sometimes extends to several decimal places, which requires great accuracy. 

These designs are transformed into three-dimensional spaces with various components, so that different geometric shapes appear from different angles. But it is only from a specific angle that the design inspired by nature reveals itself. 

Among other things, movement is an inevitable part of my work.

Among other things, movement is an inevitable part of my work. Depending on the project, this movement can be found within the artwork itself, in the movement of the observer around it, or sometimes in both. For example, this movement is integrated into one of my works, *The Moment of Equality*, using perspective techniques. (*The Moment of Equality* will be published as soon as possible.) 

Starting this work has truly changed the way I see the world. I believe I still have much to see and much to learn. I call myself an “amateur” artist, and I always will, because I believe that by doing so, I will remain eager to learn, explore, and experiment